That is the finished product. I think it looks moderately like her, not that it really matters, as I don't tend to strive for realism. It looks kind of cartoon-y, which I like. I used acrylic paints on a 24"x24" canvas. I was really unhappy with the painting when I started; I first sketched Eliza's face from life, and once I put down some color, the skin tone was all wrong and I had to rework it by painting over the whole face. This is the point where I started to feel good about the piece:
I really like the hands in this "in-progress" shot.
Also, the background is meant to be a not-so-subtle display of sunshine-y colors, with yellow emanating from behind Eliza's head.
As I mentioned, I initially drew her from life, but I also took a photo of her for reference, because she would not have been able to sit for me for the many hours it took me to paint this. Here is that photo:
She's my favorite :)
Taylor--beautiful piece. I think you're brave to post the painting and the photo...and address directly why the one doe not have to be (should not/cannot be) the other. Let's rtalk about this in class. You bring it up, okay (my comment)?
ReplyDeleteTwo artists you could look at (both women, both important)-- Alice Neel and Charlotte Solomon. Think about why each of them painted as they did..and where it led them...
Keep up this work. It's a very good start...
Taylor--I take a look each week (by Thursday noon) at people's new posts--be sure to keep you blog up to date!
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